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Category Archives: Personal Brand

Describing The Value of Your Product

I’m advising a startup that’s in a fairly typical “starting” position: they have a team, a good idea of a high level topic (“We’re focusing on financial markets, not on baking bread”), and a series of product features that they know they want to include in the company. They have a timeframe for success, driven by the amount of money they have, their perspective on how fast their competition will work, and, as is usually the case, a bit of arbitrariness. And they have a name.

And now, they need to build a product.

There are lots of different processes for identifying what to build. I’ve outlined one way before. And there are lots of processes in place that describe how to build it. But knowing what to build, and building it, doesn’t get you all of the way to a product or company, because you won’t have answered a critical question:

How does the product or company feel?

That’s a vague and fuzzy question, and so it may not ever get asked, much less answered. Those with an extremely analytical mind rarely consider this type of question, and if they do, they may discount it as being irrelevant. Even if it is considered, it’s hard to know how to answer it, because the concept is subjective and the embodiment of the answer is vague.

A way to arrive at the answer to that question is to ask a different question, one of value. What value will your product or company provide, and to whom?

It’s tempting to answer this question from a standpoint of utility, describing the practical things it helps someone do. For example, you might explain that Google “helps people find information.”  That makes sense, considering their stated mission: “Google’s mission is to organize the world’s information and make it universally accessible and useful.” And, examine their value-line (I bet you didn’t even know they had one!): Search, Ads, and Apps. These are statements about getting things done and increasing efficiency. They are clear, and straight-forward, and can easily be tracked and measured. A statement of value can be used as vetting criteria for new features and functions, or even for the organization of the company. When someone has a great idea for a new product, you could ask, “How will this new idea support our value-line of search, ads, and apps? How will it help people find information? How will it help organize the world’s information?” These are all indications of commodity, which – as aspirational goals – are strange;  I would expect a company to aspire to a more differentiated and rich value proposition.

Of course, you can go in the other direction, too. For the last few years, AT&T’s value-line has been “Rethink Possible.” The absurd grammar choices of big companies aside (HP did it with “Let’s Do Amazing”, and Apple obviously enjoyed success with “Think Different”), the statement is thin because it’s overly broad. Taken as a sentence, it implies that “Our products will help you rethink what is possible.” Rethink what’s possible with what, my dishwasher? My relationship? Everything?

(As an aside to the aside, I feel like Let’s Do Amazing is terrible, but it’s nowhere near as bad as Yum! Brand’s “striving each and every day to put a Yum! on our customers’ faces around the world“. Excuse me, Ma’am, but you have some Yum on your face.)

A larger criticism would be the frequency with which AT&T changed their perception of the value they provide. Consider that at least five lines have been used since 2000:

  • Fits you best
  • Raising the bar
  • Your World. Delivered
  • Rethink Possible
  • Rethink Possible: It’s what you do with what we do.

Has the value AT&T provides actually changed that much – five massive changes – in 12 years? The justification for the last change is the most compelling, as it signals an attempt to humanize:

“We did a lot of insight research about how people live with technology,” said Esther Lee, senior vice president for brand marketing, advertising and sponsorship at AT&T in Dallas, which included “ethnographies, shop-alongs and spending time in people’s living rooms.”

When the “Rethink possible” campaign was developed, most consumers “felt overwhelmed with technology,” Ms. Lee said…

Unfortunately, it seems that they fell short of truly empathizing with their customers, as Lee goes on to explain:

“… but only a short time later many have “found ways to integrate it in their lives” — and some even “talk about it with love. The real innovation that’s happening is what people are doing, and how people are dealing, with technology,” she added, and “the unique ways they use it to make their lives better.” [Source]

The five statements AT&T has tried indicate a sense of value that is so broad as to be aimless or meaningless. I think large companies have a hard time describing their value to the world because their literal size has diluted a sense of purpose. I don’t necessarily believe the story of the NASA janitor who claimed he was “putting a man on the moon”, because NASA’s engineering culture was so strong, and the organization was so big, it’s unlikely there was a shared vision of anything.

I don’t like utility-driven value statements, like Google’s, because they seem destined towards commodity. And I don’t like the high-level value statements of AT&T because they are meaningless – they are fluff, noise. Instead, I recommend a more human approach to the question of value, which you can arrive at through a round-about manner. Ask, and answer, these two questions: If your product was a person, what kind of person would it be? What stance does your product take when it is confronted? Your product isn’t a person, but it will be used by one, and so these questions force you to consider the time-based interactions and dialogue that will occur when a real live person engages with your creations. You’ll describe the aspirational attitudes that your work conveys, and because your work is a proxy for yourself, you’ll be describing your aspirational stance, too.

Posted in Personal Brand, Reflection, Startups | Leave a comment

Thoughts on Design Portfolios

Designers are typically judged based on their portfolio of work. When I worked at frog, I encountered lots of unsolicited portfolios. The sad reality of sending a portfolio to a consultancy is that your chances of getting a job are a weighted dice roll, based on a mixture of extremely fast first impressions, serendipitous timing, and who you know. When I would receive a portfolio from someone I’d never heard of, I tried my best to actually look at it, but if my schedule was three-deep back to back meetings all day long, the email was ignored. Sometimes, if the sender got lucky, they might send it on the same day that a plea for hiring went out, usually based on a sales cycle accelerating or a deal closing unexpectedly. In these cases, they got the benefit of the doubt. And, in the cases where the email comes with a recommendation from a friend, I couldn’t help but be interested to see the work.

And so, if you made it past the “luck” phase, I would open the .pdf or click the web link.
At this point, you might stop and question things like “HR departments”, “your resume is on file”, and “just apply through the website”, which are probably all good ideas, but that – in my experience – are giant black holes. The human connection is huge.

This portfolio shows what a candidate has done, how they’ve done it, and how proficient they are at it. The “it” has traditionally been print and industrial design, and since these are visual end-artifacts, it’s easy to show the output, and the process is equally as visual.

But designers who work on software, systems, and services encounter a challenge: how do you show the output, and the process, in a meaningful way? Here are some pragmatic pieces of advice that I found myself wishing I could have offered, as I reviewed portfolios. Your mileage may vary, and all usual caveats about how impersonal, cold, and unforgiving agency life is apply.

General Advice
You may be the best generalist in the world, and it might be emotionally difficult for you to pigeon-hole yourself as a “type of designer”, but if there’s an open rec for a “visual designer”, that means the firm has money allocated to hire someone who does visual design work, and a need for that type of work. Your great wireframing skills are a nice supplement, showing you can work in a broader team, but at that critical moment of initial portfolio review, show what the rec asked for.

Your portfolio doesn’t need to be big. In fact, the best portfolios I reviewed usually had two projects in them – one that showed breadth, and one that showed depth. For example, it might contain a project that illustrates the entire design process, end to end; this illustrates if the candidate understands how design works, is familiar with a collaborative and user-centered approach, and thinks about things iteratively. Then, the second project offers only examples that show proficiency in an extremely focused skill area, such as wireframing, icon development, sketching, motion graphics, and so-on. This area of focus shows how the candidate can be resourced on day one: they can be put on a project that’s billable.

Attention to detail matters, a lot. In this very first moment, where someone hasn’t seen your work before and you’ve made it through the cold-call luck round, you have about 10 seconds for an arrogant, over-extended, tired creative director to poke at your material before they find something they don’t like and leave. This translates to:

  • No spelling errors, of anything, anywhere
  • Things in a grid line up exactly (to the pixel)
  • Use Helvetica, Futura, Frutiger, or Meta, and nothing else, unless you actually know what you’re doing
  • The .pdf you send is less than 3 megs
  • The URL you send is actually live
  • The cover letter that you send to frog doesn’t explain why you would be great for the job at IDEO (you would be chagrined to know how frequently this happens)
  • The imagery you include has been cropped, color adjusted, and otherwise manipulated to be appropriate
  • Use big pictures. Little itty-bitty sketches indicate a lack of confidence in the work. Be big and bold.

Design Research
When showing design research, it’s tempting to show photographs of people, particularly of people’s faces. This is irrelevant to someone judging your portfolio. Who are these people? Why are they relevant? What did you do with them? You could explain this in the accompanying text, but at that first glance, no one is likely to actually read that text. Instead of pictures of people, show imagery that includes insightful evidence of workflow, artifact, or space problems – and circle and annotate the important part of the image, so it’s super obvious.

When I review DR portfolios, I care less about your ability to plan and execute design research, and more about your ability to synthesize and make meaning out of the data you found. This means showing diagrams, insights, quotes, and other things that led you to big, important takeaways for design.

Taking pictures of post-it notes is really fun. I do it a lot. But showing pictures of people moving post-it notes around in your portfolio isn’t interesting and doesn’t add any value to your story. Showing pictures of post-it notes themselves isn’t that interesting, either.

There’s an expectation that someone getting a design research job knows how to conduct standard design research. If you’ve done something particularly unique, emphasize it. Did you join the girl scouts to understand teenage girls? Get a job at a grocery store to understand the supply-chain process? Work through co-design activities at a retirement home? Show the unique stuff.

Visual Design
A strong visual design portfolio shows a breadth of platform expertise. This includes designs for web, various mobile platforms, television, print, packaging, motion, and so-on; it illustrates that a consultant can work on a broad array of billing programs.

Show exploratory process. While the final artifact is nice to see, it’s also useful to see how you arrived there. Did you pick a direction on day one, or explore multiple styles over time?

Try to show that you can both take an existing brand language and extend it, and create a new language from scratch. If you never did these things in school, assign yourself a project and do them yourself.

Include both conceptual (blue-sky, experimental) and pragmatic (utilitarian, transactional), because if you can do both, you’ll be in huge demand.

Interaction and Service Design
An interaction and service design portfolio seems nebulous, because these ideas are so big and broad. But while the discipline is huge, the job you are likely applying for is much smaller in scale, scope, and expectation. Research and identify the discrete skills that a particular job expects, and be sure to illustrate competency in these skills. This probably means showing:

  • The ability to produce scenarios and storyboards, showing people in a context using a designed artifact
  • The ability to describe software using wireframes, comps, and interactive prototypes
  • The ability to sketch interfaces, rapidly, in an exploratory manner
  • The ability to use diagrams to sketch complex systems
  • The ability to create a visual map showing how a service extends across touchpoints

Don’t use lorum ipsem, ever, for anything. Include real content in all of the work you show, illustrating that you understand the vocabulary and contextual cues of a particular discipline

Think through all interactions in a given context, even if you don’t intend to show those. Just because you emphasize a particular linear path through an interface or service, there are other things that a user can do at any given stage. By showing these in your work, you indicate to a reviewer that you are thinking comprehensively about a system.

Include an exhaustive level of detail in screen designs. Try to make your work look as real as possible, by including contextual clues (browser chrome, a sketch of a kiosk surrounding a touchscreen, a user’s hand on a mobile phone), detailed form design for controls and inputs, sketched illustrations of framing imagery (rather than big square empty placeholder boxes), etc.

If you can create working or quasi-working digital prototypes, do it – this is a great way of showing you really consider how interactions should feel over time. But if you include these on a website, make sure they work, and make sure it’s clear what features and functions are prototyped and which aren’t functioning. Give the reviewer a clear path through your UI.

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I hope this is a helpful overview of things I would look for in reviewing portfolios. Keep in mind that my intent was to fill specific roles at a specific consultancy, which had extremely specific needs related to the core business, resourcing, utilization, and so-on. A different business will look for different things. Good luck :-)

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You might also enjoy reading 7 Steps to a Kick-Ass UX Portfolio, by Will Evans or Five Steps to a Better Design Portfolio, by Jeff Veen.

Posted in Creativity, Personal Brand, Portfolio | 1 Comment

Sharing FreshSpotter with the world

This week I focused on crafting the messages surrounding my smartphone app, FreshSpotter, to share with the broader online community. Was I successful? I’ll let you be the judge. Email any questions or ideas for improvement to benjamin.franck@austincenterfordesign.com.

Official web site
Facebook fan page
Twitter page
Email newsletter preview
Facebook ad campaign preview

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Demo of My New Mobile App Idea: FreshSpotter


Here is a video demonstrating the major features of my mobile app. Enjoy!

FreshSpotter: A Video Demo

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Fun with Guerrilla User Testing

This week I searched all over Austin for people to test the user interface of my smartphone app, Leafy Compass. I had them navigate through sketches of the app to perform the following functions: search for local fruit, input their shopping list, and take a photo of a local fruit. Then I had them state the number of problems they encountered with the app. I interviewed seven different people and adjusted the sketches according to the feedback I received. Here is a video of the final test (with the technical issues that my laptop experienced edited out):

The user testing went fairly smoothly but there is lots of room for improvement. In my next user tests I would make the following changes:

  • I would stop leading the subject and not give them any confirmation before they have made a decision
  • I would create a more specific set of criteria for them to review my app than “how many issues did you have?”
  • I should triple-check my laptop for potential technical issues
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A theoretical smarphone app sales pitch

Here’s my first sales pitch of a smartphone app called Leafy Compass. Take a look and let me know how convincing I was via twitter (@bdfranck).

Download the Leafy Compass presentation

See my Business Model Canvas

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Getting uncomfortable with what’s comfortable

“You have to get comfortable with what you’re comfortable with, and get uncomfortable with what’s comfortable.” That was some of the advice given to us last class, and in that spirit, I’ve been trying to get uncomfortable with words and more comfortable with visuals. Thus, I’m resisting the temptation to launch into a lengthy preamble to this week’s assignments, and just get straight to the pictures.

The latest iteration of my brand statement, in (sort of) poster form:

poster

And, some stories about how food gets from a local farm to the table:

a kid’s story about brussel sprouts

a critic’s story about brussel sprouts

a CSA member’s story about brussel sprouts

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Less is More

In the spirit of iteration, we’ve been asked to address our brand with an economy of words. The result should be illustrated in poster format, using Helvetica type and proper rules of typography.
Ta-daaaa…

Our second task was to visualize one story from three perspectives through the use of story-boarding on Post-it notes. Our story is “how food gets to the table from a local farm.”
So without further adieu…

1. This first perspective is from someone making a dish for a potluck dinner.

2. The second perspective is from a farm volunteer who kills and prepares a hog for roasting, unsuccessfully.

3. And the third perspective is from a dog.

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Jonathan’s brand through the lens of Ben

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Personal Brand 3.0

Hi! I'm Ben. I am a mobile entrepreneur.

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